“Well, I think the difference between writing scripts, say live-action, usually … you’re going to the studio, you’re pitching and they’re like, ‘Yeah, make that movie.’ You write it, then the director ...

Writing for an animated film is like painting on an infinite canvas—there are literally no bounds. You don’t have to worry about expensive or dangerous stunts, keeping your sets small for the sake of ...

In the iconic 1984 film The Terminator, the killing machine’s murderous pursuit of the resilient and persistent Sarah Connor epitomizes the “unity of opposites” principle in dramatic writing which ...